|Rolling Stone ... sometime in March|
In a Friday night party for one, I pulled out the old stuff from the 'ole girl, Madonna, and danced my arse off. It just felt so ... happy go lucky. I've been trying to give Madonna room for being fresh, new, innovative, but ... she just isn't the same. It's as if she is trying to hard. Well, that's a dumb statement because everyone can see that about her. She's so unsettled with what life brings to us (age ... in little words and hushed tones) that it is uncomfortable to watch.
I read in this edition of Rolling Stone or the next one, I can't remember as I'm a bit behind and power reading, that she is now working with Avicii. I love Avicii. Wake Me Up is one of my favorite EDM songs. And I know that as she goes to her next, she's always looking for the newest to prove that she's still relevant. But she becomes irrelevant constructing a sound that is more them than her.
When she first really pulled into the electronic DJs, I think that it was with her album Ray of Light. That was the best of her second generation albums. It was buoyant. And, for the most part, a good listen, or dance if you, will from beginning to end. The next couple: Music, American Dream, Girls Gone Wild; they have glimmers of fabulousness, but they are inconsistent. Some of the songs make me cringe: are you for real Madonna, this is stupid and juvenile. I can take silly and juvenile from your 26 year-old self, but 45 or 50? Haven't you learned anything? Maybe not. The head is turned back so much that you may miss what's ahead of you.
If I could talk to Madonna, I would say, "kick it old school, girl." That would be fresh ... different from tongue-girl, snake-girl, weird-girl, and makes bad choices in boys-girl (I'll let you fill in the blanks). I'm pretty sure that you have worked with Pharrell before ... give him a call again. Or get Nile Rodgers back on board. I want to explode in delight with a bouncy and hook'd Madonna-groove, not Madonna on Avicii's youthful good looks, sound, and established fan base.
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